Describe the shift in artistic patronage that developed in the 1600s and identify key factors that signified the diminishing power of the church. Give one (1) example of an artist and his / her artwork or a composer and his / her musical composition and identify the artists or composers patron after the shift in artistic patronageDiscuss the concept of the noble savage as developed by Rousseau. Explain the manner in which such a concept reflected or contradicted the general philosophical views of the EnlightenmentPlease be detailedCites and refernces pleaseNo plagarism or copy ( will be checked)Only original answersPlease meet deadline